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Engagement et mobilité sociale par la culture. Etude de trois configurations politiques et artistiques en banlieue rouge (1960-2014) Pauline Clech

Abstract : My thesis focuses on the comparative study of three artistic configurations located in spaces historically run by communist elected representatives (Saint-Denis, Nanterre, General Council of Seine-Saint-Denis). In these configurations, I uncover the social and historical logics leading to the recognition of certain art forms (mainly theater, municipal festivals, circus, street arts, hip hop, music). My approach is based on a dispositional and relational analysis of individuals involved in these processes of artistic legitimization (or delegitimization). The study of these processes is conducted by analyzing individuals’ schemes of perception of the social world and the contexts in which these schemes are used. This analysis identified the existence of politicized individuals committed in the worlds of art or in the political field in order to subvert the dominant social relations. In addition to analyzing the impact of these commitments on the artistic landscape, my thesis focuses on the study of their biographical, territorial and political consequences. Social position, commitment and local institutions are dialectically linked. Through their commitment, these individuals reach the middle class and constitute a very specific stratum thereof: politicized, indigenous and possessing cultural capital that is not certified by diplomas. The existence of this social stratum, in the studied areas, has implications for the local social structure. I mainly studied two dimensions of these implications, namely Indigeneity and the definition of a postcolonial national narrative.
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Pauline Clec’h. Engagement et mobilité sociale par la culture. Etude de trois configurations politiques et artistiques en banlieue rouge (1960-2014) Pauline Clech. Sociologie. Sciences Po - Institut d'études politiques de Paris, 2015. Français. ⟨tel-03459675⟩

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